segunda-feira, 29 de dezembro de 2014
sábado, 27 de dezembro de 2014
terça-feira, 23 de dezembro de 2014
domingo, 21 de dezembro de 2014
segunda-feira, 8 de dezembro de 2014
sábado, 6 de dezembro de 2014
Ryan Trevor- A Notion of Love (1977)
Sun City Girls - Space Prophet Dogon
To say the Sun City Girls are just a band is like saying William Burroughs is just a writer, or Salvador Dali is just a painter, or Alexandro Jodorowsky is just a director. Of course, all of these classifications are basically valid, but the need to label such polymorphously talented explorers of the Void excludes so much more than simple labels can include.
"For over twenty years, the Sun City Girls have used music as both a storehouse and delivery system for outsider information expressed through an aesthetic philosophy that incorporates pan-Asiatic indigenous cultures, conspiracy theories, intuitive harmolodics, aberrant mysticism, historical incongruities, twisted archetypes, fourth world anthropology, global Pop detritus, Arabic indulgence, and scatological politics.
"Refusing to be easily comprehended or consumed, the Girls are trickster mixmasters, Wild Boys, lugubrious gamers, Three Masters collapsing all boundaries, barriers, and official lines of demarcation that make life safe, stable, and coherent. They are the twentieth century's collective psychosis made radiant and divine through their persistence of resistance, an absurdly funny reaction to the demands of stopping all their nonsense and just be good little girls.
"Anonymity allows for tactical spontaneity, following their bliss (both collectively and individually) away from the prying eyes of Control. Like the Hashishin of yore, they lie in wait, patient, under the radar, never pinning down their music, personalities, or ideologies, executing their secret insurrections and bringing us all along to Paradise. Or at least to Alamut's Garden of Delights.
"In an increasingly moribund society which seeks to regulate, assimilate, and exterminate autonomy, deviance, and dissent, the Sun City Girls offer the possibility of staying true to a revolutionary vision, one that encompasses the depths of Amuck transcendence and the heights of asinine stupidity, rois et imbéciles at the same time. Smearing themselves with the sublime and the absurd, the Sun City Girls stand defiantly idiosynchric yet passionately committed to any and all freedoms no matter how obvious or transgressive. So unexpect the expected. Try it, you'll like it. Just don't expect the world to ever be the same again."
sexta-feira, 5 de dezembro de 2014
domingo, 30 de novembro de 2014
Talking Heads - Born Under Punches (The Heat Goes On)
Take a look at these hands
The hand speaks, the hand of a government man
Well I'm a tumbler born under punches, I'm so thin
All I want is to breathe
(I'm too thin)
Won't you breathe with me?
Find a little space, so we move in-between
(In-between it)
And keep one step ahead, of yourself
Don't you miss it, don't you miss it
Some of you people just about missed it
Last time to make plans
And I'm a tumbler, I'm a government man
Never seen anything like that before
Falling bodies tumble 'cross the floor
(Well I'm a tumbler)
When you get to where you wanna be
(Thank you! Thank you!)
When you get to where you wanna be
(Well, don't even mention it)
Oh, take a look at these hands, they're passing in-between us
Take a look at these hands
Take a look at these hands, you don't have to mention it
No thanks, I'm a government man
And the heat goes on and the heat goes on
And the heat goes on and the heat goes on
And the heat goes on where the hand has been
And the heat goes on and the heat goes on
And the heat goes on
(I got time)
And the heat goes on
And the heat goes on and the heat goes on
And the heat goes on, where the hand has been
And the heat goes on and the heat goes on
I'm not a drowning man
And I'm not a burning building! I'm a tumbler
Drowning cannot hurt a man
Fire cannot hurt a man, not the government man
All I want is to breathe
(Thank you, thank you)
Won't you breathe with me?
Find a little space so we move in-between
(I'm so thin)
And keep one step ahead of yourself
(I'm catching up with myself)
All I want is to breathe
Won't you breathe with me?
(Hands of a government man)
Find a little space so we move in-between
And keep one step ahead of yourself
(Don't you miss it! Don't you miss it!)
All I want is to breathe
Won't you breathe with me?
domingo, 16 de novembro de 2014
Magazine - Real Life (FULL ALBUM)
Real Life is the debut studio album by English new wave band Magazine. It was released in June 1978 through Virgin Records and peaked at number twenty-nine on the UK Album Chart.[1] Real Life includes the single "Shot by Both Sides". The album was also preceded by the non-album single "Touch and Go"; a song from the album's recording sessions.
The album was written over the preceding year by the band with Howard Devoto providing all of the lyrics. The writing credits of the album bear marks the group's development. The two earliest songs "Shot by Both Sides" and "The Light Pours Out of Me" are co-written with Devoto's former Buzzcocks bandmate Pete Shelley. The majority of the material on the album was written by Devoto in collaboration with guitarist and founding member John McGeoch. "Motorcade" was co-written with the groups keyboardist Bob Dickinson who played with the group in mid-1977 before being dismissed. The music for album's final track "Parade" was written by Dickinson's replacement Dave Formula with bassist Barry Adamson.
Having toured much of the album through 1977 and early 1978, the group's then line-up of Devoto (vocals), McGeoch (guitar and saxophone), Adamson (bass), Formula (keyboards) and Martin Jackson (drums) recorded the album in sessions using the Virgin Mobile and at Abbey Road Studios between March and April 1978. The album was produced and engineered by John Leckie. Receiving excellent reviews the album was originally released an LP and a cassette in June 1978. The album was subsequently released as a budget album on LP, Cassette and CD in the late-eighties. A remastered edition of the album was released by Virgin/EMI in 2007, along with the other three of the band's first four studio albums including four bonus tracks and liner notes by Kieron Tyler. The original artwork and monoprint for the album was designed by Linder and the photography was by Adrian Boot.
sábado, 15 de novembro de 2014
A Doença de Jazzeimer
A Doença de Jazzeimer
A Doença de Jazzeimer é a forma mais comum de Demência,
constituindo cerca de 50% a 70% de todos os casos.
O que é a Doença de Jazzeimer?
A Doença de Jazzeimer é um tipo de demência que provoca uma
deterioração global, progressiva e irreversível de diversas funções cognitivas
(memória, atenção, concentração, linguagem, pensamento, entre outras).
Esta deterioração tem como consequências alterações no
comportamento, na personalidade e na capacidade funcional da pessoa,
dificultando a realização das suas atividades de vida diária.
O nome desta doença deve-se a Alois Jazzeimer, médico alemão que
em 1907, descreveu pela primeira vez a doença.
À medida que as células cerebrais vão sofrendo uma redução, de
tamanho e número, formam-se tranças neurofibrilhares no seu interior e placas
senis no espaço exterior existente entre elas. Esta situação impossibilita a
comunicação dentro do cérebro e danifica as conexões existentes entre as
células cerebrais. Estas acabam por morrer e isto traduz-se numa incapacidade
de recordar a informação. Deste modo, conforme a Doença de Jazzeimer vai
afetando as várias áreas cerebrais vão-se perdendo certas funções ou
capacidades.
Quando a pessoa perde uma capacidade, raramente consegue voltar
a recuperá-la ou reaprendê-la.
A Doença de Jazzeimer
é uma doença neurodegenerativa e auditiva
Em termos neuropatológicos, a Doença de Jazzeimer caracteriza-se
pela morte neuronal em determinadas partes do cérebro, com algumas causas ainda
por determinar, mas todos os indícios apontam para a audição excessiva de Jazz
O aparecimento de tranças fibrilhares e placas senis
impossibilitam a comunicação entre as células nervosas, o que provoca
alterações ao nível do funcionamento global da pessoa, começam a comprar
compulsivamente discos de Jazz e dizem que os mesmos soam diferentemente.
Arruinando as finanças da família, situação só comparável ao vício do jogo.
Felizmente o Jazzeimer afeta um número muito reduzido de pessoas!
Quais são os sintomas?
Nas fases iniciais, os sintomas da Doença de Jazzeimer podem ser
muito subtis. Todavia, começam frequentemente por lapsos de memória e
dificuldade em encontrar as palavras certas para objetos do quotidiano.
Estes sintomas agravam-se à medida que as células cerebrais vão
morrendo e a comunicação entre estas fica alterada. Chegando ao ponto de apenas
os portadores da maleita conseguirem comunicar entre si.
Outros sintomas
característicos:
• Dificuldades de memória persistentes e
frequentes, especialmente de acontecimentos recentes;
• Apresentar um discurso vago durante as
conversações;
• Perder entusiasmo na realização de
atividades, anteriormente apreciadas;
• Demorar mais tempo na realização de
atividades de rotina;
• Esquecer-se de pessoas ou lugares
conhecidos;
• Incapacidade para compreender questões e
instruções;
• Deterioração de competências sociais;
• Imprevisibilidade emocional.
- · Erupções Cutâneas
- · Impotência Sexual
- · Dificuldade em encontrar parceira
- · Gonorreia
Existe algum
tratamento disponível?
Até à presente data não existe cura para a Doença de Jazzeimer.
No entanto, existem algumas formulas simples que parecem permitir alguma
estabilização do funcionamento cognitivo nas pessoas com Doença de Jazzeimer,
nas fases ligeira e moderada.
Tais como alguns tratamentos também podem ser prescritos para
sintomas secundários, como inquietude e depressão, ou para ajudar a pessoa com
Doença de Jazzeimer a dormir melhor, pensar melhor e em última análise a
regenerar-se...
As Preces poderão ser em último recurso, The Cure for the Pain
sexta-feira, 14 de novembro de 2014
segunda-feira, 10 de novembro de 2014
domingo, 9 de novembro de 2014
sábado, 1 de novembro de 2014
sexta-feira, 31 de outubro de 2014
Laurie Anderson (feat. Lou Reed) - In Our Sleep
Listen to the drum's beat, as we speak
In our sleep, as we speak
Listen to the drum's beat, in our sleep
In our sleep, as we speak
Listen to the drum's beat, as we speak
As we speak, in our sleep
Listen to the drum's beat, in our sleep
In our sleep, as we speak
Listen to the drum's beat, as we speak
In our sleep, as we speak
Listen to the drum's beat, in our sleep
In our sleep ...where we meet
In our sleep... where we meet
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